Hand Building with Clay

Hand building is different to throwing work on a wheel. Clay work is slow art done over many days and weeks.

Most of my work starts out as a slab.

The vases are made in halves and carefully dried until stiff, enough to carve, and then dried more until free standing— yet moist enough to meld together with the other half.

I end up with my arm all the way in the vase, up to the shoulder, joining the two haves together.

My excitement about these vases is getting the carved texture that had previously only adorned the under side of my bowls but is now vertical for all to see. The vases take months to dry.

Bowls start flat and are then impressed and slump molded. When leather hard, I flip them over and carve the underside.

My art life entails a commitment to going into the studio to meet my muse whether she shows up to meet me or not.

If she’s a no show; I clean the studio, work on glaze testing or tool repair.

If the creative fire is hot; I work on multiple hand built projects at once—moving from rolling out slabs, slowly coaxing waves into form, or carving/pinching vessels and pods into shape.

Current Offerings.

Past Works.

Each piece is unique; some of these works are available by commission. Contact the artist for more information.